Daily Archives: March 2, 2017

A New, Online, International Competition for Wind Ensembles and Orchestras Seeks to Generate Popular Interest in Classical Music and Music Education

Ictus Music, Inc. has announced an innovative online competition titled the "Ictus International Music Competition" that is open to wind ensembles and orchestras at five different levels:  middle school, high school, youth ensemble, university/conservatory and community ensemble.PHILADELPHIA, March 3, 2017 /PRNewswire/ — Ictus Music, Inc. has announced an innovative online competition titled the “Ictus International Music Competition” that is open to wind ensembles and orchestras at five different evels:  middle school, high school, youth ensemble, univ…

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Hear Remy Ma's Scathing Nicki Minaj Diss Song 'Another One'

Remy Ma has released “Another One,” her second diss track in less than a week aimed squarely at Nicki Minaj.

The track mirrors the flow and circumstances of Drake’s “Back to Back,” a track Drake dropped shortly after his Meek Mill diss track didn’t get an immediate response.

The rapper doesn’t mince words on “Another One,” (which you can listen to here) quickly calling out Minaj for having not yet responded to her last diss track, “Shether,” which followed Minaj’s perceived Remy Ma diss on Gucci Mane’s “Make Love.”

“I guess you know now who the head bitch is/ I’m a savage, I be killing dead bitches/ I bet you wish you ain’t never said shit,” she spits. “Now they so busy shooting videos, and I’m like nah/ Where the fuck is your song?/ I mean, come on.”

Later she continues the baiting. “Waited four days, ma, where you been?/ I came here in the ‘rari playin’ Lil’ Kim/ Don’t know what made you think that you could fuck with Rem/ But I guess this is what I gotta do to make ya spit.”

She also implies she may have some incriminating material of Minaj when she raps, “Bet you wonderin’ how I know your problems?/ It’s a lot of people that you really bothered/ They was selling footage and you know I bought it.”

The Minaj/Remy Ma beef has a long history, going back a decade to when Minaj dropped the freestyle “Dirty Money.” There have been several back-and-forth song swipes since then. 

Rapper Lecrae weighs in on the ongoing beef between Nicki Minaj and Remy Ma.

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Sword Art Online The Movie Hits U.S. Grounds with Hollywood Festivities

Japan is the capital of the world when it comes to anime and manga, with its wide range of releases, but when you take a light novel series, another variation of the manga, and want …Read More

INDIE MUSIC NEWS

Sword Art Online The Movie U.S. Premiere at the Grauman’s Egyptian Theatre 3-1-2017

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INDIE MUSIC NEWS

VAMPS JOIN I PREVAIL AND STARSET ON U.S. TOUR

VAMPS, the visually-arresting Japanese rock band featuring HYDE (L’Arc-en-Ciel) and K.A.Z (Oblivion Dust) announced today that they will be returning to the U.S. this spring to join I PREVAIL and STARSET on their upcoming May …Read More

INDIE MUSIC NEWS

Tears For Fears Announces New Tour

Tears For Fears will be heading out on tour with Hall and Oates! Check out the list of dates below. TOUR DATES: TOUR DATES5/4 – Tulsa, OK @ Bok Center5/6 – St Louis, MO @ …Read More

INDIE MUSIC NEWS

See Lil Uzi Vert, Quavo, Travis Scott's Action-Packed 'Go Off' Video

Lil Uzi Vert, Migos’ Quavo and Travis Scott are woven into The Fate of the Furious action in their new video for “Go Off,” which hails from the film’s forthcoming soundtrack.

The clip features footage from the next installment of the Fast and the Furious franchise, along with cuts of the rappers that seamlessly dovetail in to match the movie’s action-packed scenes. Muscle cars, a wrecking ball, stacked demolished vehicles and plenty of fire feature as the rappers’ backdrops.

The video opens on Quavo taking lead on the hook with Scott joining in and Uzi beside them. “One more ride, one more race, we go all out, we don’t play/ One more ride, one more race, we don’t slow down, ain’t no breaks/ I’m a go off, I’m a ride tonight, it don’t matter what we face/ I’m a go off, I’m a ride tonight, I’m a master of my fate.” Later, each rapper takes their turn on a fiery car-themed verse.

The soundtrack will be released on April 14th, the same day the film hits theaters. 

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Mazda se asocia con SPIN, VIBE y Stereogum para crear la sede oficial de SXSW® 2017

http://mma.prnewswire.com/media/53154/mazda_north_american_operations_logo.jpg?p=captionIRVINE, California, 2 de marzo de 2017 /PRNewswire-HISPANIC PR WIRE/ — Manejando hasta el centro de Austin, Mazda conquistará de nuevo la Conferencia y los Festivales South by Southwest® (SXSW®) como el Patrocinador Automovilístico Oficial. Convergiendo en la ciudad del 10 al 19 de…

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SXSW Organizers Respond to Artist Immigration Controversy

Following an online mini-furor Thursday, the CEO and founder of South by Southwest has responded to criticism that the festival was reserving the right to notify immigration authorities of bands that do not abide by the fest’s contract.

On Thursday, Felix Walworth, who fronts the New York City indie-rock group Told Slant, tweeted a screenshot of a portion of the performance agreement pertaining to immigration and said the band was canceling its performance. 

“I’m not interested in aligning myself with an institution that interacts with immigration authorities as a means of controlling where art is shared and performed, and who makes money off of it,” Walworth wrote. “This festival uses an imperialist model and prioritizes centralizing and packaging culture over communities and people’s safety. It’s no secret that SXSW has played a huge role in the process of Austin’s rapid gentrification. The whole festival exists to the detriment of working class people and people of color in Austin. That they’re willing to threaten deportation is enough evidence for me that they don’t care about anyone including the artists that lend them their legitimacy.”

Walworth did not immediately reply to a request for further comment about the issue.

In a statement, SXSW CEO and co-founder Roland Swenson refuted the accusations, citing a “misunderstanding of our policies regarding international artists.”

“Language governing SXSW’s ability to protect a showcase has been in the artist performance agreement for many years,” Swenson said. “It is, and always was intended to be, a safeguard to provide SXSW with a means to respond to an act that does something truly egregious, such as disobeying our rules about pyrotechnics on stage, starting a brawl in a club, or causing serious safety issues.” The language has been place for five years, Swenson told The Austin Chronicle.

Swenson voiced opposition to President Trump’s controversial travel ban in his statement. The fest had already booked a showcase called Contrabanned: #MusicUnites, according to Stereogum, that will highlight bands affected by the travel ban, and Swenson said it wanted to take things even father. “[South by Southwest] is working hard to build a coalition of attorneys to assist artists with issues at U.S. ports of entry during the event,” he said. “We have artists from 62 countries from around the world performing and have always supported our international music community. We have never reported international showcasing artists to immigration authorities.”

He also acknowledged the fire-and-brimstone language of the performance agreement. “We understand that given the current political climate surrounding immigration, the language that was published seems strong,” he wrote. “Violating U.S. immigration law has always carried potentially severe consequences, and we would be remiss not to warn our participating acts of the likely repercussions.”

Moreover, he wrote, “We hope never to be put in the position to act on this.”

South by Southwest CEO and Founder Roland Swenson’s Full Statement

SXSW has been vocal in its opposition to President Trump’s Travel Ban and is working hard to build a coalition of attorneys to assist artists with issues at U.S. ports of entry during the event. We have artists from 62 countries from around the world performing and have always supported our international music community. We have never reported international showcasing artists to immigration authorities.

We were sorry to learn that one of our invited performers chose to cancel his performance at this year’s SXSW Music Festival due to a misunderstanding of our policies regarding international artists.

We understand that given the current political climate surrounding immigration, the language that was published seems strong. Violating U.S. immigration law has always carried potentially severe consequences, and we would be remiss not to warn our participating acts of the likely repercussions.

Language governing SXSW’s ability to protect a showcase has been in the artist Performance Agreement for many years. It is, and always was intended to be, a safeguard to provide SXSW with a means to respond to an act that does something truly egregious, such as disobeying our rules about pyrotechnics on stage, starting a brawl in a club, or causing serious safety issues.

The SXSW Performance Agreement states:

If SXSW determines, in its sole discretion, that Artist or its representatives have acted in ways that adversely affect the viability of Artist’s official SXSW showcase, the following actions are available to SXSW:

○ Artist will be removed from their official SXSW showcase and, at SXSW’s sole option, replaced.
○ Any hotels booked via SXSW Housing will be canceled.
○ Artist’s credentials will be canceled.
○ SXSW will notify the appropriate U.S. immigration authorities of the above actions.

We hope never to be put in the position to act on this. Indeed, we spend a great deal of time communicating with international artists concerning numerous issues, including how to avoid issues at U.S. ports of entry.

Moreover, there is language in the Performance Agreement which is included to inform foreign artists that the U.S. immigration authorities have mechanisms to create trouble for artists who ignore U.S. immigration laws. For example, those acts coming to SXSW to perform without a work visa are limited, by U.S. immigration law, to performing their showcase event only. If an artist wishes to perform elsewhere, they will require a work visa.

As such, both to protect SXSW and the interests of all the participating artists, we long ago added this language to our Performance Agreement:

1.4. Foreign Artists entering the country through the Visa Waiver Program (VWP), B visa or any non-work visa may not perform at any public or unofficial shows, DAY OR NIGHT, in Austin from March 10-19, 2017. Accepting and performing at unofficial events (including unofficial events aside from SXSW Music dates during their visit to the United States) may result in immediate deportation, revoked passport and denied entry by US Customs Border Patrol at US ports of entry. For more information, please visit these pages:

1.4.1.(B Visa / ESTA) http://travel.state.gov/content/visas/en/business.html

1.4.2.(Work Visas) http://travel.state.gov/content/visas/en/employment/temporary.html

1.4.3.SXSW general visa FAQ: http://www.sxsw.com/travel/visa-faq

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Backstreet Boys Debut new Las Vegas Show "Backstreet Boys: Larger Than Life" At Planet Hollywood Resort & Casino

LAS VEGAS, March 2, 2017 /PRNewswire/ — Backstreet’s back, alright! Last night, the best-selling boy band of all time, Backstreet Boys, proved to be “Larger Than Life” at their premiere performance of the appropriately-titled “Backstreet Boys: Larger Than Life.” Marking the beginning of…

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